“La Scienza a regola d’Arte”: a conversation between Andrea Galvani and James Beacham
The fifth meeting in the State-of-the-art Science series, a product of the collaboration between the MASI, the Art Museum of the Italian-speaking part of Switzerland, and IBSA Foundation for scientific research, will be held on Tuesday, June 4. James Beacham, a particle physicist, who participated in the conversation last November with the German photographer Thomas Struth, will be returning to discuss the relationship between art, science and technology with Andrea Galvani, one of the most internationally-renowned Italian artists of his generation. Winner of the 2019 Audemars Piguet ARCO Prize, Galvani works with scientific institutions, universities and famous researchers in the creation of his works.
James Beacham, following the event last November, will be providing his testimonial alongside IBSA Foundation throughout 2019. His participation in events with a scientific and informative slant organized by the Foundation in Milan and Lugano, in fact allows us to learn from his privileged perspective as a scientist, as well as his commitment towards the proper dissemination of scientific knowledge.
The event is open to the public and will take place in English. A simultaneous interpretation will be available.
Limited seating, no booking possible.
Lives and works between New York and Mexico City. An artist with a cross-disciplinary approach, his projects draw upon concepts and instruments originating from different disciplines, often taking on scientific language and methodologies. His work has been exhibited in major museums and institutional venues, including: the Whitney Museum, New York; the 4th Moscow Biennial for Contemporary Art; the Calder Foundation, New York; the Mart Museum of Modern and Contemporary Art, Trento; the Macro Museum, Rome; the GAMeC, Bergamo; and many others. In 2010 he was a Visiting Artist at New York University; in 2011 he received the New York Exposure Prize and in 2017 he was nominated for the Deutsche Börse Photography Prize; in 2019 he also won the prestigious Audemars Piguet Prize. He participated in the Location One International Artist Residency Program in New York (2008), the LMCC Lower Manhattan Cultural Council (2009), and the MIA Artist Space / Columbia University Department of Fine Arts (2010). From 2006 to 2009 he was a lecturer of the Language of Photography and History of Contemporary Photography at the Carrara Academy of Fine Arts in Bergamo. Since 2010 he has been working with the AMS Advanced Media Studio of the Department of Visual Arts of New York University and with the ICP International Centre of Photography of New York.
A particle physicist, James Beacham participates in experiments at the Large Hadron Collider at CERN, in the search for traces of dark matter, gravitons, quantum black holes and dark protons, working with ATLAS, one of the teams that discovered the Higgs Boson in 2012. He often is a speaker at events on science, technology and art organized worldwide by bodies such as the American Museum of Natural History, the Royal Institution, the Festival South by Southwest (SXSW) and the BBC. His talk How we explore unanswered questions in physics was published on the TED website and has been viewed around 1.5 million times. He works with radio programmes and documentaries and has appeared in newspapers, including the New York Times, Wired and Gizmodo. Before dedicating his life to physics, Beacham studied as a film-maker, and still works with various artists. In 2015 he launched Ex/Noise/CERN, a project that explores the connections between experimental particle physics, music and cinema.
Location: LAC Lugano Arte e Cultura
Date: June 4, 2019
James Beacham, particle physicist with the ATLAS Experiment at CERN.
Dr. James Beacham searches for answers to the biggest open questions of physics using the largest experiment ever, the Large Hadron Collider at CERN. He hunts for dark matter, gravitons, quantum black holes, and dark photons as a member of the ATLAS collaboration, one of the teams that discovered the Higgs boson in 2012. In addition to his research, he is a frequent speaker at popular sci/tech/art events around the world, including the American Museum of Natural History, the Royal Institution, SXSW, and the BBC. His talk “How we explore unanswered questions in physics”, was featured on TED.com and has been viewed nearly 1.5 million times. He contributes to podcasts, radio shows, and documentaries, and has been featured in The New York Times, Wired, and Gizmodo, among others. Beacham trained as a filmmaker before becoming a physicist and regularly collaborates with artists. In 2015 he launched Ex/Noise/CERN, a project exploring the connections between particle physics and experimental music and film.
Thomas Struth, contemporary German photographer
Thomas Struth was born in 1954 in Geldern, Germany and studied at the Kunstakademie Düsseldorf. A part of the first generation of artists to study photography with Bernd and Hilla Becher in the 1970s, he spent a year in New York, where he produced black-and- white urban landscapes in central perspective. In the mid-1980s Struth began a series of color and black-and-white portraits of individuals and family groups. Illustrating Struth’s belief in photography as “a tool of scientific origin for psychological exploration,” this ongoing work examines the personal and cultural dynamics that condition our self-image, exploring how it will influence our individual and collective identities. In recent years, Struth became increasingly interested in the topics of technological innovations and the constructed landscape. For Nature & Politics, he photographed at sites of techno-industrial and scientific research including space stations and operating theatres. Additionally, Struth’s extensive repertoire of topics include his images of jungles and forest landscapes. Struth’s work is featured in various public art collections, including some of the most important galleries and museums over the world.
THE GAP BETWEEN WHAT WE WANT TO KNOW AND WHAT WE CAN EXPERIENCE
James Beacham – Particle Physicist in the ATLAS experiment at CERN
The relationship between art and science is truly complex, yet very simple at the same time: science and art inspire us to ask questions about the world. In science we try to reduce nature within the boundaries of fundamental knowledge so that we can understand its basic rules, we ask questions in order to obtain tools that allow us to have greater control. As human beings we are curious about ourselves, our role in the universe and in the world, we want to have a better understanding.
In art (which is painting, sculpture, film, poetry) everything is based on what appears beautiful and successful, and not on objective tools or criteria. In science we try to understand things that are impossible for human beings to experience directly (you could never hold the Higgs Boson in your hand): there is an ontological gap between what we want to know and what we can experience. And the way to connect these two extreme points are scientists, who usually present their results using graphs, numbers and publications. However, there can also be artistic components in the way I decide to present my work to the world.
THE POSSIBILITY TO OBSERVE SOMETHING IN SILENCE
Thomas Struth – German photographer, a major exponent of contemporary photography
When you work as an artist it is only natural to find yourself in this kind of situation, to speak about what you do and about the biggest questions that existence throws at us. Everything we think, everything we communicate concerns humanity. My work on the family, on the portrait of a family at a certain time and at a particular moment in history, for example, has to be included in this regard: it is placing attention on the fact that all of us, without any exceptions, are born within a family.
My work as a photographer started through painting, I then transported techniques and tools from the canvas to the camera: it was a way of passing from a private to a public dimension. In a certain sense I started to work with a more scientific and efficient tool, which allows you to repeat things. Art gives you the particular possibility of observing something in silence – mine is a very classic approach – the particular opportunity to represent something contemplative, reflective: it is something that I greatly appreciate and that I find particularly important today.
A COLLABORATION THAT PRODUCES SIGNIFICANT RESULTS
Tobia Bezzola – Head of MASILugano, Art Museum of the Italian speaking part of Switzerland
MASI is very happy and proud that the relationship between IBSA Foundation and our Museum is becoming stronger and stronger, because it enables us to plan for the future and will allow us to bring even more important figures from the world of art and the world of science to this region and to get them to talk to one another.
We are very proud to have Thomas Struth with us today, one of the most important artists and photographers in the world, who has always shown an intellectual depth to his work and, therefore, is the perfect candidate for a conversation with a leading scientist like James Beacham.
Today two leaders in their respective fields meet, and this promises to be a very interesting conversation.
A SCIENTIFIC OUTLOOK IS NOT AFRAID OF OTHER OUTLOOKS
Giada Marsardi – Cultural Operator
There is a close relationship between art and science, we often don’t see it and we may even refuse to see it, because it seems to be very difficult: when it comes down to it, they are also two worlds that are very different. I admit that I have a greater weakness for art, therefore I believe that art can bring us closer to science in a different way. You need the right people to do so, and experiments like this one are going in the right direction, because I believe that science still scares many people: many think that it is boring and difficult, whereas art, on the other hand, which speaks more to people’s gut than to their heads, can also help us to have a better understanding of science.
What I appreciated from the collaboration with IBSA Foundation was its open-mindedness, interdisciplinary approach and different outlook, an outlook that naturally remains scientific but that is not afraid of the arts and other points of view. What fascinates me, in particular, is being able discuss a subject in a different way than what we think is the only approach.